Happiness in the Early Modern Period
to
UW Extension Pyle Center 702 Langdon St., Madison, Wisconsin 53706
press release: The Center for Early Modern Studies at the University of Wisconsin-Madison is pleased to announce our 2016 conference, "Happiness in the Early Modern Period".
March 10
2:30-3:30: Opening Remarks: Susan Zaeske, Associate Dean for Arts and Humanities; Stefania Buccini, CEMS Interim Director
PRESESSION
Ullrich Langer (University of Wisconsin-Madison): “Why Literature Is Happiness (in the Early Modern Period)”
3:30-3:45 | Refreshment Break
3:45-6:00 | SESSION I, Presiding: Kristin Phillips-Court
Christopher Celenza (Johns Hopkins University): “Happiness and the ‘History of the History of Philosophy’ in Fifteenth-Century Italy”
Respondent: Ullrich Langer
Virginia Krause (Brown University): “Montaignian Happiness: Lessons in Landscape”
Respondent: Jan Miernowski
March 11
9:30-11:45 | SESSION II, Presiding: Ricardo Court
Christia Mercer (Columbia University): “Anne Conway and the Pain of Happiness”
Respondent: Hadley Cooney
Donald Rutherford (University of California-San Diego): “Perfection and Happiness in Seventeenth-Century Philosophy”
Respondent: Steven Nadler
12:00-1:15 | Lunch Break (on your own)
1:30-3:30 | SESSION III, Presiding: Nicolas Russell
Katherine Eggert (University of Colorado-Boulder): “Othello's Happiness”
Respondent: Karen Britland
Andrea Frisch (University of Maryland): “‘Heureux celuy qui devient sage/en voyant d’autry le dommage’: Tragic Spectacle as a Source of Happiness in Early Modern France”
Respondent: Richard Goodkin
3:30-3:45 | Refreshment Break
3:45-5:00 | SESSION IV, Graduate Student Forum: “Expressions of Happiness”, Presiding: Elizabeth Bearden
Aria Cabot: “‘No Happiness in These Kinds of Pleasures’: (In)felicità and the Eighteenth-Century Italian Autobiography”
Jennifer Morgan: “A Joyful Noise: Music in the Early Modern Period”
Anna Rockwell: “L’’Archiatro dell’Anima’: Theater’s Cures for ‘Malumore’”
Jillian Slaight: “Chasing after Happiness? Runaway Girls in Eighteenth-Century Paris”
RECEPTION TO FOLLOW