Jojin Van Winkle
to
Madison Museum of Contemporary Art 227 State St., Madison, Wisconsin 53703
March update: MMoCA is pleased to announce that its galleries are reopening to the public at noon on Friday, March 12. The Museum will have limited hours: Fridays, Saturdays, and Sundays, noon-6 PM.
Reservations are not needed to visit, but guests will be required to wear a mask, in accordance with Dane County’s most recent public health order. In addition, capacity in the galleries will be capped to maintain adequate social distancing. Other measures, such as hand sanitation stations and additional cleaning protocols, are in place. Guests may be asked to wait in the lobby or visit another MMoCA gallery to ensure proper social distancing.
Fresco, the Museum’s rooftop restaurant, is closed for the season. Guests will be able to access the Rooftop Sculpture Garden, which includes a recently added bronze work, Untitled, (1982-85) by artist Joel Shapiro. The work is part of the Full Circle: Acquisitions and Exhibitions show, which is now on view.
Please check mmoca.org/welcome-back for more details on safety precautions, and on our social media channels for information on new and upcoming exhibitions, educational programming, and wellness activities this spring. We look forward to welcoming you back!
media release: Jojin Van Winkle's audiovisual installation, "The Destruction Project," opens 10/17 in the museum's Imprint Gallery. In addition to her artistic practice, Jojin Van Winkle is assistant professor of art and program director for the Photography, Film, and New Media Program at Carthage College.
"The Destruction Project" (extended through April 11) is a multimedia, documentary-based video and audio installation that examines the roles of destruction and its counterpoints of resilience in rural areas. This project unpacks the concept of destruction in three chapters; destruction as entertainment, destruction as rejuvenation, and destruction as irreversible. Field recordings and interviews with women who inhabit rural spaces overlay theatrical explorations of the inherent beauty seen in loss. Jojin Van Winkle’s media work centers around the practice of listening, visualizing stories present in the everyday. Here, Van Winkle delves into the ways destruction and growth intersect with choice, change and violence, both natural and human-made.