Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop

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courtesy Chazen Museum of Art

An engraved depiction of "Battle of Saint James at Clavijo."

"Battle of Saint James at Clavijo," ca. 1470-1475 engraving by Martin Schongauer.

The exhibit places printmaker Israhel van Meckenem in the context of his time as both artist and entrepreneur and explores the era’s newfound ability to make copies. Ease of replication brought to the fore issues of authenticity and authorship that parallel the current rise of artificial intelligence. The Chazen Museum of Art exhibition will also explore the technology of the time and van Meckenem’s repurposing of work by other artists.

media release: Dec 18, 2023–Mar 24, 2024

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Discover parallels between the business of 15th-century printmaking and today’s branding practices in “Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop,” on view Dec. 18, 2023-March 24, 2024 at the Chazen Museum of Art at the University of Wisconsin–Madison. The exhibition will be the first in the United States to present new research about the role Israhel van Meckenem (German, 1440/1445-1503) played in developing printmaking as a fine art and will feature more than 60 objects that place his important engravings alongside images he copied from his contemporaries, including Master ES, Martin Schongauer and Albrecht Dürer.

Feb. 9  •  10 a.m.  •  Garfield Galleries

James Wehn, Van Vleck Curator of Works on Paper, hosts an in-gallery conversation about Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop. Wehn will discuss van Meckenem's role in developing printmaking as a fine art. Register here.

“Israhel van Meckenem was the first printmaker to experiment with using his name as a brand or a trademark,” said exhibition curator James Wehn, the Chazen’s Van Vleck curator of works on paper. “‘Art of Enterprise’ presents a new opportunity to look at Israhel van Meckenem as not only a printmaker but an entrepreneur during a time when there was no concept of copyright or legal protections for intellectual capital like we have today. The works on view illuminate how longstanding copy culture collided with the new ability to replicate an image through printmaking and, as a result, prompted emerging concepts of authenticity and authorship.”

The exhibition explores the business of printmaking in the late 15th century, focusing on Israhel’s operation of a productive workshop during the initial rise of printed text and images in Europe. The engravings in the exhibition highlight Israhel’s primary audiences and the ways they used engravings. The exhibition will also explore his strategic use of materials like paper and copper, as well as the development of new products, including intricate ornamental designs, engraved indulgences, scenes of everyday life and the earliest printed self-portrait.

Regarded by some as more of an editor or publisher than an artist, many of Israhel’s prints are direct copies of works that were already in the marketplace. Except for minor changes, such as the repositioning of a limb or adjustments to small details in the background, Israhel produced works nearly identical to images by other artists and signed his name to the work.

“Art of Enterprise” will include engravings “Saint Peter” and “Saint John” that were unknown to print historians until recently and are new to the Chazen’s permanent collection. Joined by “Saint Judas Thaddeus” from the same series of apostles likely produced around 1470, they will appear alongside source material by Master ES on loan from The Albertina Museum in Vienna. Placing the works together will encourage close looking as visitors discover slight differences between Israhel’s depictions and Master ES’s work.

In contrast to the 21st-century practice of putting prints in frames for display, many of Israhel’s works were distributed throughout Europe and used in manuscripts, often of devotional nature. “Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence,” on loan to the Chazen from the Metropolitan Museum of Art, presents an example of Israhel’s Passion series in a bound prayerbook.

\“In the late 15th century, when Israhel was copying existing images, the value was in the labor and the materials and not in the image. Today, we face similar questions about authorship and the value of intellectual capital with AI technology. ‘Art of Enterprise’ will present Israhel van Meckenem’s work and encourage visitors to consider concepts of originality that were called into question then and remain relevant in today’s digital world,” Wehn said.

“Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop” is organized by the Chazen Museum of Art. The exhibition includes approximately 10 works from the Chazen’s collection and loans from nine other institutions, including The Albertina Museum (Vienna, Austria); The Metropolitan Museum of Art (New York, New York); The Museum of Fine Arts, Boston; and The National Gallery of Art (Washington, D.C.).

Generous support for the “Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop” comes from the Samuel H. Kress Foundation. The Kress Foundation devotes its resources to advancing the study, preservation and enjoyment of European art, architecture and archaeology from antiquity to the early 19th century.