Progress: A Survey of the 2020 UW Graduate Printmaking Students
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Tandem Press 1743 Commercial Ave., Madison, Wisconsin 53704
press release: A Message from Paula Panczenko and all the staff at Tandem Press:
Everyone at Tandem Press hopes that you and your families are keeping well at this most difficult time in our country. Like many of you, we all want to ensure the health and well-being of all our staff and colleagues, and also our friends and supporters. In response to the COVID-19 pandemic, and following directions from the University of Wisconsin-Madison, Tandem Press will temporarily close to the public effective immediately.
As a result, Sona, Myszka, Rachael, and I will be working from home for the foreseeable future. If you need to contact us please email Sona, Myszka, and/or Rachael at info@tandempress.wisc.edu. I can be reached at paula.panczenko@wisc.edu.
Like many businesses, schools, universities, museums, and a myriad of additional organizations, we are following federal, state, and local guidelines to do everything possible to contain the spread of COVID-19. We will keep you posted on the status of our upcoming events.
We will continue to monitor this situation closely and will send out announcements regarding any further change in programming and with a re-opening date as soon as UW-Madison advises that it is safe for us to reopen to the public.
In the meantime, we wish you good health in the coming weeks and months, and we will keep in touch.
- Paula, Rachael, Sona, Myszka, Jason, Joe, Patrick, and Seth
Reception: Friday, February 28, 5-7pm
Please join us to celebrate the opening of a new exhibition at the Tandem Press Apex Gallery, which features artworks created by the current graduate students from the University of Wisconsin-Madison's printmaking program: Ash Armenta, Jacob Bautista, Jonathan Byxbe, Juan Dehoyos, Max Hautala, Derek Hibbs, Maeve Leslie, Lesley Numbers, Carley Schmidt, Katelyn St. John, Roberto Torres Mata, and Derick Wycherly.
This exhibition will remain on view through Friday April 10. This exhibition is made possible by a grant from the Anonymous Fund.