The Shape of the Environment film screening

media release: October 1 (Saturday) - Film Screening - 7-9pm Screening of Thirst for Justice by Leana Hosea and 65 by Fábio Erdos.

65 | Fábio Erdos | 2022 | 5 minutes 

65 offers a glimpse of the most recent Greenpeace expedition into the Antarctic and its deep sea, revealing the abundant, and fragile, hidden underworld in the coldest and one of the most remote regions on the planet. Fábio Erdos is also a participant in The Shape of the Environment, with the dual-channel video installation near the entrance at Arts and Literature Laboratory.

Thirst for Justice | Leana Hosea | 2022 | 58 minutes

Armed only with facts and their illnesses, extraordinary citizens take on industry and government, risking arrest to protect clean water. From Flint to the Navajo Nation, via Standing Rock, this is their story.

Thirst for Justice follows Janene Yazzie as she searches for the source of contamination in her son's school's water in Sanders, Arizona. She suspects drinking uranium-contaminated water from the 1979 Church Rock dam spill caused her ovarian cancer. When the epic movement for water justice ignites in Standing Rock, Janene is compelled to join. There she meets Flint water activist Nayyirah Shariff and their struggles converge. Janene travels to Flint, where she sees first hand the similarities between what's happening in this inner-city and the Navajo experience. 

more on the exhibit and other events: The Shape of the Environment, an exhibition that explores a wide variety of topics related to environmental issues, will take place at the Arts + Literature Laboratory from Aug. 23 - Nov. 4, 2022. The opening reception will take place on Friday, Aug. 26, from 6-8pm. Curated by Lelia Byron, the exhibition includes work by Fábio Erdos, Patrizia Ferreira, Hong Huo, Hattie Lee, Lianne Milton, Richie Morales, Beth Racette, Nirmal Raja, Sparker, Roberto Torres Mata, Maria Amalia Wood, Derick Wycherly, and Rina Yoon. The exhibition is free and open to the public to visit during regular gallery hours. During the exhibition, there will also be a number of free interactive events including an opening reception, educational workshops, a film screening, a reading, a discussion event for scientists and artists, and a closing event with a performance. The reading will include work from Tension Zones Collective Daybook with Martha Bergland, Chuck Stebelton, Kate VandenBosch, Jane Curtis, and Rose Heflin, as well as special guest Mrill Ingram. See list below for the dates and times of all events.

A zine for the exhibition can be viewed online.

Free Public Events:

August 26 (Friday) - Exhibition Opening - 6-8pm

September 18 (Sunday) - Orientations: A Reading from the Tension Zones Collective Daybook with Martha Bergland, Chuck Stebelton, Kate VandenBosch, Jane Curtis, Rose Heflin, plus special guest Mrill Ingram - 2-4pm

October 8 - (Saturday) Adult Papermaking Workshop - 2-4pm

October 16 - (Sunday) Discussion Event With Artists and Scientists - 2-4pm

November 4 - (Friday) Gallery Night Closing Event and Performance - 5-9pm

The Arts + Literature Laboratory is located at 111 S Livingston St Suite 100, Madison, WI 53703. Gallery hours are Tuesday-Friday 10am-5pm and Saturday 12-5pm. Thank you to the Madison Arts Commission and Dane Arts for supporting this project.

Says Lelia Byron, “I believe that artists can be creative problem solvers and innovators. One idea for the exhibition is to serve as a platform or a bridge bringing together artists, writers, scientists, and community members to make connections and help foster a collaborative creative community working to think of innovative ways to approach environmental topics.”

In The Shape of the Environment, the exhibiting artists convey the importance of different environmental issues for people across the globe. For example, in her photo series, The Hinterland, Lianne Milton photographs the semiarid region known as the Sertãoao, in Brazil, documenting how the deforestation of the Amazon rainforest is drastically altering the climate. Filmmaker Fábio Erdos, meanwhile, makes work about a recent Greenpeace expedition into the Antarctic and its deep sea. His project shares with us the diverse, colorful, and abundant world that inhabits the seabed beneath the icebergs and the impact climate change is having on this area.

Of course, in the exhibition natural materials and living too have a strong presence. Rina Yoon’s work, for example, includes some of the remains from burn sites of the Bighorn Fire in Arizona. These remains were gathered, cleaned, and added hand coiled paper to as a way of conversing with the trees that may not have survived the fire but still had a story to tell. Meanwhile, Patrizia Ferreira’s The Tree of Life has at its center an Ombú tree, a centenarian dioecious evergreen tree native to the Pampa of Uruguay and Argentina. In her work, it functions as an allegorical representation for resilience.

Another recurring topic among the exhibiting artists is the interest in exploration of materials. In making her collages and fiber works, Hattie Lee thinks about the resourcefulness in Native histories and survival, rural farming ancestors, and her depression-era Grandmother’s values. In Strange Dwelling, Hong Huo mixes ink with soap water and uses breath to blow bubbles onto paper. Using fire and water, a complementary pair in Chinese philosophy, as a central theme, Hong asks if we can find a balanced way to live among such extremes in ideas, opinions, and environmental conditions. Finally, Sparker explores materials to create immersive installations, rendering an environment that is totally abstract, nonsensical, absurd. The non-narrative in Sparker’s installations gives nothing to hold on to, no expectations or timeline to grasp, no events vulnerable to judgment.

Roberto Torres Mata and Derick Wycherly delve into handmade papermaking. Roberto draws on handmade sheets of paper made from mulberry plants. His work on migration examines the critical factors, including the impact of climate change, that cause displacement. Derick Wycherly’s work considers gift-giving as an Indigenous technology that connects people with one another and the land base they occupy. Specializing in printmaking and papermaking, Derrick’s handmade paper maps our relationships in place and time.

In the exhibition, artists also explore language and interdisciplinary fields. For her work, Nirmal Raja thinks about the special significance that clouds have in India as the much anticipated carriers of the monsoon season after a long, dry summer. Her work, Cloud Palace takes inspiration from an epic poem titled Meghdootam or “cloud messenger” written by a 4th-century Indian poet- Kalidasa. Richie Morales also explores language, describing painting as his first language. His work for the exhibition is about the armament industry and the genealogy of violence, describing the armament industry from production to use as the most destructive human activity for Nature.

For many artists, making the work in this exhibition has been an opportunity to learn and reflect. For Beth Racette, making her series of Gaia paintings has been an opportunity to learn about and portray the many systems and aspects of the Earth. These paintings reflect Beth’s contemplation of the interconnectedness of life and the processes of flow. Maria Amalia Wood, whose creative practice incorporates textiles, papermaking, and community-focused storytelling reflects on her experience during the deadliest Atlantic hurricane in Central America’s history in 1998, asking the question, “How long before mending what we have torn apart is no longer an option?”